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	Saturday, 
	January 28, 2017 
	
	10 a.m. Refreshments   
	 
	10:30 a.m. Program 
	Museums 
	across the country collect textiles, costumes and carpets, acquired both 
	through donations and purchase.  
	The parameters for building and interpreting a collection, however, can vary 
	greatly depending upon the type of museum: historic house, history museum, 
	craft museum, or museum of fine art. 
	Working within the world of fine art museums for nearly four decades, 
	Alice Zrebiec focuses on presenting textiles as works of art with their own 
	multilayered attributes.  
	Although even the grandest of tapestries and carpets ultimately have a 
	utilitarian purpose, this deceptive familiarity intrinsic to textiles is a 
	bridge to discovering artistic excellence and creativity manifested through 
	choice of materials, mastery of technique, virtuosity of design, brilliance 
	of imagination, and other criteria.  Dr. 
	Zrebiec will discuss these factors, presenting case histories of exceptional 
	acquisitions, an arm chair tour of select exhibitions, and virtual forays to 
	see treasures that usually live in storage. 
	A 
	curatorial consultant based in Santa Fe, NM, and principal in Vescen 
	Consulting, Alice Zrebiec received her BA degree in art history from 
	Douglass College, where she was elected to Phi Beta Kappa, and her MA and 
	Ph.D. in art history from the Institute of Fine Arts – New York University. 
	Dr. Zrebiec joined the Denver Art Museum in 1996, and in 2012 she became the 
	Avenir Foundation Curator of Textile Art, overseeing the expansion of the 
	department’s dedicated galleries and the development of its exhibitions and 
	related programs until 2015.  In 
	addition to Creative Crossroads: The 
	Art of Tapestry, she also curated for the DAM the major exhibitions 
	Ikat: Splendid Silks of Central Asia from the Guido Goldman Collection 
	(2001,) Gee’s Bend: The Architecture of the Quilt 
	(2008.) and many other exhibitions, including twenty thematic 
	exhibitions primarily focusing on aspects of the permanent collection.
	 Prior to her work with the Denver 
	Art Museum, Zrebiec was curator of textiles for 16 years in the department 
	of European Sculpture and Decorative Arts at the Metropolitan Museum of Art, 
	in charge of textiles, tapestries, carpets, ecclesiastical vestments, and 
	fans from the Renaissance to the turn of the 20th century.
	 She has lectured internationally and 
	published on diverse aspects of textiles and tapestries. 
	TMA/SC members are invited to bring one example of a rug or textile 
	that they find particularly artistic. 
	
	Luther Hall,  Lower Level    
	St. 
	Bede’s Episcopal Church 
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